The Sit Down with Tyla Rodrigues
Fast rising country star, Tyla Rodrigues, has hit the ground running in 2025! A remarkable new talent in Australian country music; Tyla has set herself apart with her soulful voice, heartfelt lyrics and captivating stage presence. At just 21 years of age, has quickly become a sought-after performer at some of the most prestigious festivals. In 2026, Tyla is already slated to appear at Tamworth Country Music Festival, CMC Rocks and Howlin’ Country Festival. Off the back of performances in Nashville at CMA Fest and Americana Fest, Tyla has now released her latest single By the Time It’s Over.
You released your new single By the Time It's Over last week. How does it feel to have it out?
It's great. This single of mine is the first one born in Nashville. I did my first ever trip to Nashville in June and played my first CMA Fest too, so it was a huge, huge trip. I was also lucky enough to be part of a songwriter's camp while I was there with lots of Nashville writers, and that was sort of my first introduction too. This song has come out of that big bunch of songs, so it's felt like it's been a long time coming, but I am just in love with how it's turned out, and I'm even more grateful about the reception that it's had.
How do you feel that writing a song in Nashville changed the sound you're giving? Because this release is very different from the previous release.
Absolutely, I really appreciated the fact that I think country music, at the moment, is in a very broad era if you will. We're a lot more accepting of lots of different styles. We've got pop country, we've got blues country, we've got old country and all these different types of things. I love my traditional country sounds and getting to work with these Nashville writers who had that same appreciation and open-mindedness of what the genre looked like meant there was no limitation to what my creativity was doing. If I was like, this is the type of style of song I want to write, they were all very, very open to it. They've been exposed more than anyone to all the different styles of country music and I feel like it didn't necessarily change the path that I'm on or my creative process of the songs that I wanted to write, but it also gave me room to really grow in that and expand my own mindset too.
This release has had quite a few playlist ads already. How exciting is it to see it keep getting added to these major playlists over the week?
It's incredible! With every song that I release, my mindset toward it is the people that need to hear this song will hopefully hear it and that's what keeps me on the straight and narrow in terms of keeping my art, my art and avoiding trying to bend to another mould in order to get that success. For me, I want to release the art that I feel that I need to release or that is speaking to me. From there, everything else is just a bonus and to have this much support and ads to playlists is a major, major bonus. Like I said earlier, I'm just blown away every time that I'm able to release music that I really do believe in, but there are people out there that believe in it too or kind of can connect to it.
You had quite a bit of success earlier in the year with the release of Hot & Heavy. Did that add a bit of pressure with this release?
Definitely. I'm actually in the process of writing for my debut album at the moment and Hot & Heavy is the first single I'm releasing off of that project. Along with it having its own standalone successes, it also has this whole behind-the-scenes project attached to it that added plenty of layers of pressure. There's a thing to be said about people saying, don't sway too much from what you've done because you don't want to confuse your audience and you don't want to set something and that's kind of your style. I feel like I'm constantly evolving as an artist. In fact, Hot & Heavy was a real beginning of that evolution for me and stepping into the artist that I'm becoming after a few more years of experience and going through life. So, yes, along with that having its own successes, it's also a very different song too by the time it's over and that was another layer of worry that I had. As I said, something that I've really stood by throughout the entirety of my career is just, I'm gonna release something that I feel is right and that I connect to and that is real and everything else hopefully will fall into place. That's what keeps me going and my mind off of that pressure.
Hot & Heavy had quite a bit of radio success as well in Australia. Is By the Time It's Over going get sent to radio over there?
Yes. This week, we started with it at radio and fingers crossed it does the same. I feel like it's got that feel good vibe to it and while it is very different to Hot & Heavy, I hope that it's another different sub style of what I do that people do enjoy. I guess time will tell.
So early on in your career, does it still feel a bit surreal when you're driving and hear your music on the radio?
Absolutely, it's surreal for me, but it's a whole other level when people that I know and love send me videos of it playing in their car because these are like childhood friends of mine. I moved to Brisbane back in 2019, before that I was born and raised in Victoria. People that were part of me, but now in a different world, when they send me videos or pictures, oh, we just got in the car and your song's playing! That really blows me away because at some point in time, I was just a young kid singing in the school choir and now this is what I get to do.
You released your new single By the Time It's Over last week. How does it feel to have it out?
It's great. This single of mine is the first one born in Nashville. I did my first ever trip to Nashville in June and played my first CMA Fest too, so it was a huge, huge trip. I was also lucky enough to be part of a songwriter's camp while I was there with lots of Nashville writers, and that was sort of my first introduction too. This song has come out of that big bunch of songs, so it's felt like it's been a long time coming, but I am just in love with how it's turned out, and I'm even more grateful about the reception that it's had.
How do you feel that writing a song in Nashville changed the sound you're giving? Because this release is very different from the previous release.
Absolutely, I really appreciated the fact that I think country music, at the moment, is in a very broad era if you will. We're a lot more accepting of lots of different styles. We've got pop country, we've got blues country, we've got old country and all these different types of things. I love my traditional country sounds and getting to work with these Nashville writers who had that same appreciation and open-mindedness of what the genre looked like meant there was no limitation to what my creativity was doing. If I was like, this is the type of style of song I want to write, they were all very, very open to it. They've been exposed more than anyone to all the different styles of country music and I feel like it didn't necessarily change the path that I'm on or my creative process of the songs that I wanted to write, but it also gave me room to really grow in that and expand my own mindset too.
This release has had quite a few playlist ads already. How exciting is it to see it keep getting added to these major playlists over the week?
It's incredible! With every song that I release, my mindset toward it is the people that need to hear this song will hopefully hear it and that's what keeps me on the straight and narrow in terms of keeping my art, my art and avoiding trying to bend to another mould in order to get that success. For me, I want to release the art that I feel that I need to release or that is speaking to me. From there, everything else is just a bonus and to have this much support and ads to playlists is a major, major bonus. Like I said earlier, I'm just blown away every time that I'm able to release music that I really do believe in, but there are people out there that believe in it too or kind of can connect to it.
You had quite a bit of success earlier in the year with the release of Hot & Heavy. Did that add a bit of pressure with this release?
Definitely. I'm actually in the process of writing for my debut album at the moment and Hot & Heavy is the first single I'm releasing off of that project. Along with it having its own standalone successes, it also has this whole behind-the-scenes project attached to it that added plenty of layers of pressure. There's a thing to be said about people saying, don't sway too much from what you've done because you don't want to confuse your audience and you don't want to set something and that's kind of your style. I feel like I'm constantly evolving as an artist. In fact, Hot & Heavy was a real beginning of that evolution for me and stepping into the artist that I'm becoming after a few more years of experience and going through life. So, yes, along with that having its own successes, it's also a very different song too by the time it's over and that was another layer of worry that I had. As I said, something that I've really stood by throughout the entirety of my career is just, I'm gonna release something that I feel is right and that I connect to and that is real and everything else hopefully will fall into place. That's what keeps me going and my mind off of that pressure.
Hot & Heavy had quite a bit of radio success as well in Australia. Is By the Time It's Over going get sent to radio over there?
Yes. This week, we started with it at radio and fingers crossed it does the same. I feel like it's got that feel good vibe to it and while it is very different to Hot & Heavy, I hope that it's another different sub style of what I do that people do enjoy. I guess time will tell.
So early on in your career, does it still feel a bit surreal when you're driving and hear your music on the radio?
Absolutely, it's surreal for me, but it's a whole other level when people that I know and love send me videos of it playing in their car because these are like childhood friends of mine. I moved to Brisbane back in 2019, before that I was born and raised in Victoria. People that were part of me, but now in a different world, when they send me videos or pictures, oh, we just got in the car and your song's playing! That really blows me away because at some point in time, I was just a young kid singing in the school choir and now this is what I get to do.
You mentioned about heading out to CMA Fest. There was obviously quite a few Australians out there this year. How important was that for you to be so far away from home, but almost feel like you've got that connection with other artists there?
Oh yeah, that was incredible. I mean, not only was I playing my first CMA Fest, but it was my first time in Nashville full stop. I was filled with all the emotions, excitement, nerves, everything. Then to get over there and feel that sense of home and community was the best. I felt so relaxed once I got there and felt that. To also learn that the Nashville community is so welcoming and accepting was also another, something that I wasn't really expecting. I'm not sure why that was definitely my own preconceived idea that I'd put in my own head that it was just gonna be incredibly competitive, like the best of the best, no room for friends, just do your thing. It was actually the complete opposite! In fact, I think that I felt just as at home with the Nashville crew than I did with the Australian crew. They were very open to showing me the ropes and, hey, this is the bars you wanna go to, go check out these spots, if you want a gig, go check such and such. It was great. It was great to have the Australians there, but it was also great to get to meet these Nashvilleians, if you will.
Do you think it's gonna be a regular couple of times a year trip to try to get over there now?
Absolutely. I've now been there a second time since that first. I literally just got back a week ago. It's definitely one of those things that you get bit by the bug and it's just inspiring and consuming in the best way. The minute you're back here, you just crave getting back there and getting to be part of a bigger machine. Here in Australia, country music is growing rapidly, but in the scheme of things, obviously our industry is a lot smaller and the size of what we do here is just not comparable to what they do over there. It's addictive to get over there and be part of that.
Is your next flight already booked?
Yeah, for next year!
It's worth the very confusing time changes, landing before you take off heading out and loosing a day coming home!
Absolutely, it's full on. We lost an entire Sunday on our way back home. We got straight back into a working week on our way back. As I said, well worth it.
You're now a year on from your debut EP. Does it feel like it's been a year with so much going on?
No, it feels like yesterday. In fact, I actually was looking back on all things Upon Reflection and my debut EP just the other week because we're getting prepared to start planning a tour around next year and what that's going to look like and where it's going to be. I did my first ever headlining tour off the back of my release of my EP last year and that was one of the highlights of my career so far. You can release music and that has plenty of satisfaction as you get plenty of satisfaction from that in itself, but getting to put on shows for people and them buying tickets and then being in a room and singing along with you to your songs is just a feeling that there's nothing else like it. Between the release of that EP and now it's just been an absolute whirlwind in the best way. It's been a huge, huge couple of months off the back of last year. I was lucky enough to tour with Dylan Gossett on his Australia, New Zealand run. At the start of this year at Tamworth Country Music Festival I played the main stage. It's just been huge. It feels like just yesterday, but also when I take the time to really look back and reflect, it has been a huge, huge time between then and now. I'm really grateful.
You just mentioned Dylan Gossett. How important is it during this stage fo your career to support artist like Dylan on those nationwide and New Zealand shows to really get your name out there across the whole country and link with an American headline artist?
Nothing can compare to being able to do something like that. I was very, very lucky to get my first international support slot with the Dylan Gossett crew because they are hands down some of the most beautiful people that I've ever met. Dylan Gossett, his whole band, the families attached to everyone in that band, his whole team are just beautiful, beautiful people. They were incredible to be around for such an extended amount of time, and his audience was so receptive of me too. If there's one thing I've learnt, an audience is obviously just a direct reflection of the person on stage and the type of people that are on stage are often going to be the type of people that are in the audience too. They were beautiful people too. I did a show earlier this year in Orange, which for a little bit of reference, it's kind of deep, deep in the middle of nowhere. It's a town actually off of Orange called Parks. I was in this tiny town, Main Street, I went into a Subway to get myself some lunch and the girl working at Subway serving me, she was kind of looking at me funny and I was just like, oh, okay, I'm not sure what's going on here! We get to the end and I went to pay for my food and she said, sorry, this is going to be a really weird question, but you don't happen to be a singer, do you? She's kind of like, I saw you at Dylan Gossett in December! That audience is still following me now to where I'm at. I can't even put into words what being on that tour did for me in my experience and building an audience - it seriously was an opportunity of a lifetime. I'm forever grateful for the Gossett crew for that.
When you take that support slot for the first time, it gives you a chance to do meet and greets, stand at the merch table and have people hear your songs, potentially for the first time too.
Yeah, absolutely. It was a very special moment. Of course, I did the whole tour and then we did Brisbane, which is now home to me. That was an incredibly special show because a lot of people there were, I guess, fans of my music too. That was really cool because we played in the Princess Theatre and there was a big room of people singing my songs too. That tour is definitely gonna be a highlight and the memories will stick with me forever.
Oh yeah, that was incredible. I mean, not only was I playing my first CMA Fest, but it was my first time in Nashville full stop. I was filled with all the emotions, excitement, nerves, everything. Then to get over there and feel that sense of home and community was the best. I felt so relaxed once I got there and felt that. To also learn that the Nashville community is so welcoming and accepting was also another, something that I wasn't really expecting. I'm not sure why that was definitely my own preconceived idea that I'd put in my own head that it was just gonna be incredibly competitive, like the best of the best, no room for friends, just do your thing. It was actually the complete opposite! In fact, I think that I felt just as at home with the Nashville crew than I did with the Australian crew. They were very open to showing me the ropes and, hey, this is the bars you wanna go to, go check out these spots, if you want a gig, go check such and such. It was great. It was great to have the Australians there, but it was also great to get to meet these Nashvilleians, if you will.
Do you think it's gonna be a regular couple of times a year trip to try to get over there now?
Absolutely. I've now been there a second time since that first. I literally just got back a week ago. It's definitely one of those things that you get bit by the bug and it's just inspiring and consuming in the best way. The minute you're back here, you just crave getting back there and getting to be part of a bigger machine. Here in Australia, country music is growing rapidly, but in the scheme of things, obviously our industry is a lot smaller and the size of what we do here is just not comparable to what they do over there. It's addictive to get over there and be part of that.
Is your next flight already booked?
Yeah, for next year!
It's worth the very confusing time changes, landing before you take off heading out and loosing a day coming home!
Absolutely, it's full on. We lost an entire Sunday on our way back home. We got straight back into a working week on our way back. As I said, well worth it.
You're now a year on from your debut EP. Does it feel like it's been a year with so much going on?
No, it feels like yesterday. In fact, I actually was looking back on all things Upon Reflection and my debut EP just the other week because we're getting prepared to start planning a tour around next year and what that's going to look like and where it's going to be. I did my first ever headlining tour off the back of my release of my EP last year and that was one of the highlights of my career so far. You can release music and that has plenty of satisfaction as you get plenty of satisfaction from that in itself, but getting to put on shows for people and them buying tickets and then being in a room and singing along with you to your songs is just a feeling that there's nothing else like it. Between the release of that EP and now it's just been an absolute whirlwind in the best way. It's been a huge, huge couple of months off the back of last year. I was lucky enough to tour with Dylan Gossett on his Australia, New Zealand run. At the start of this year at Tamworth Country Music Festival I played the main stage. It's just been huge. It feels like just yesterday, but also when I take the time to really look back and reflect, it has been a huge, huge time between then and now. I'm really grateful.
You just mentioned Dylan Gossett. How important is it during this stage fo your career to support artist like Dylan on those nationwide and New Zealand shows to really get your name out there across the whole country and link with an American headline artist?
Nothing can compare to being able to do something like that. I was very, very lucky to get my first international support slot with the Dylan Gossett crew because they are hands down some of the most beautiful people that I've ever met. Dylan Gossett, his whole band, the families attached to everyone in that band, his whole team are just beautiful, beautiful people. They were incredible to be around for such an extended amount of time, and his audience was so receptive of me too. If there's one thing I've learnt, an audience is obviously just a direct reflection of the person on stage and the type of people that are on stage are often going to be the type of people that are in the audience too. They were beautiful people too. I did a show earlier this year in Orange, which for a little bit of reference, it's kind of deep, deep in the middle of nowhere. It's a town actually off of Orange called Parks. I was in this tiny town, Main Street, I went into a Subway to get myself some lunch and the girl working at Subway serving me, she was kind of looking at me funny and I was just like, oh, okay, I'm not sure what's going on here! We get to the end and I went to pay for my food and she said, sorry, this is going to be a really weird question, but you don't happen to be a singer, do you? She's kind of like, I saw you at Dylan Gossett in December! That audience is still following me now to where I'm at. I can't even put into words what being on that tour did for me in my experience and building an audience - it seriously was an opportunity of a lifetime. I'm forever grateful for the Gossett crew for that.
When you take that support slot for the first time, it gives you a chance to do meet and greets, stand at the merch table and have people hear your songs, potentially for the first time too.
Yeah, absolutely. It was a very special moment. Of course, I did the whole tour and then we did Brisbane, which is now home to me. That was an incredibly special show because a lot of people there were, I guess, fans of my music too. That was really cool because we played in the Princess Theatre and there was a big room of people singing my songs too. That tour is definitely gonna be a highlight and the memories will stick with me forever.
There must be so many highlights of the year, but getting signed by ABC Music's has got to be pretty high up there to get that first major deal.
Yes. That, I think that was the moment where I was like, okay, I'm really doing this. I guess it should have been a little earlier than that because I had some really big ticket things go on that should have solidified that for me, but as someone that's just always loved music, it's never felt like anything more than doing something that I love. When ABC came around and expressed their interest, we were talking for about 12 months prior to me actually signing with them. Through that whole time, hearing that a business of that calibre is interested in taking me on for a record deal is something that little girls' dreams are made of. That was a really, really special moment. They marked the beginning of me really building a professional team around me and I feel so lucky. They've been incredible and they are my biggest cheerleaders. It's just been full steam ahead since I've had them on board and I'm excited for everything to come.
I'm sure there's lots of big dates circled on the calendar for next year, but is anything top CMC Rocks?
Oh, CMC Rocks is a huge, huge deal here in Australia. That one was an absolute pinch me. As someone that's been going now for the past four years, it's just that festival where you get to see the best of the best and your favourite artists are on that lineup. When I got the call for that, that was definitely a moment that I was like, wow, wow, wow, wow. That's obviously a big, big one I'm looking forward to for next year, but also Howlin' Country is another festival in Newcastle I will be playing and that lineup is Lainey Wilson, Flatland Calvary, Kaitlin Butts, and there's more to be added. Lainey Wilson and Miranda Lambert happened to be some of my idols in terms of female country artists, so to even see my name put that close to Lainey was like, I had to wipe my eyes a couple of times. I wasn't sure if that was true or false, but so that's probably another one I'm really, really looking forward to for next year.
Is that going to be a case of you head straight to the merch table to buy the tour poster first and frame it?
Correct. I will be there first. I'll be at my sound check as soon as I'm done at the merch table!
Did you kind of get a feelers that these calls might be coming or is it sometimes just total shock and you're like, yes, I'll do it?
Yeah. Some of them, it's in talks or there's a possibility or I have put myself directly forward for it. I think my fingers are just crossed, but there's a few like CMC came right just out of the blue. Howlin' came also right out of the blue. I’ve been able to tick off so much of my bucket list, but to have them both come to you, literally probably about a week and a bit out from each other that the offers came through, I was just like, what is going on?
That's when you know you must be doing something right when you've not got to put the feelers out for these festivals.
Yeah, correct. I feel really, really grateful and I'm excited. I'm just itching to get back and play some of these sets. For the past couple of months, it's been a lot of head down and just songwriting, which I obviously love, but I also love being on stage. The band and I have been in the rehearsal room and getting our show ready for all these festivals and I'm just pumped to get out there and put them on.
I guess by the time these festivals come around, there will be more music in the lead up to this album. Is it going to be tough to start to pick a set list for it, do you think?
Yeah, it already is! I have like a little vault. I've been writing now for a couple of months and I got into a bit of a rabbit hole of trying to figure out what does my album want to look like? Does it have a consistent story? What song do I need first? What song do I need as my last song on the album? As a first album, this project just means everything to me. I want when someone listens to it, to go, yeah, that's Tyla Rodrigues. I got really deep into trying to figure that out and when I was doing that, I actually struggled to be creative - I had the worst writer's block I have ever had. I was like, OK, this is clearly not helping my creative process, so I'm going to just write as much as I can up until the end of November. We're nearly there now, but I've given myself that deadline and I'm just going to write as much as I can, good, bad or otherwise and it's going to go in the vault. Then I'm going to start picking out from there and seeing what I love, seeing what really represents me and what I want on the album. After November, I think that's going to be the hardest, hardest part is then going, OK, which ones do I want? Which ones do I want to put in my live set? I think that that's when it's going to be really crunch time.
With so much going on for you at the moment in Australia and with trips to Nashville, is Europe a market you’re looking in to?
Yeah, I'm hoping to get onto your side of the world soon. I really would love to get over there. I've heard that country music is blowing up as it is everywhere in the world there as well. Hopefully I get to be there at some point. Hopefully when it's not too cold!
Yeah, you might have to wait a few months then. Don't leave your summer to come for our winter. That's not the right idea.
Yeah!
It's good to know that we're on your radar at least. That's always my main thing, because as you said, I do feel like we're at this same point in Australia and the UK with these booms going on.
Yeah. No, absolutely. That's definitely next on my bucket list. So hopefully I can be there soon.
I hope you can tick that one off. And we'll definitely be there for some beers with you as well.
Sounds great.
Thank you so much, Tyla, for your time this morning or even evening!
No, thank you. I appreciate you chatting and I'm looking forward to either doing this again or seeing you on your side of the world.
Yes. That, I think that was the moment where I was like, okay, I'm really doing this. I guess it should have been a little earlier than that because I had some really big ticket things go on that should have solidified that for me, but as someone that's just always loved music, it's never felt like anything more than doing something that I love. When ABC came around and expressed their interest, we were talking for about 12 months prior to me actually signing with them. Through that whole time, hearing that a business of that calibre is interested in taking me on for a record deal is something that little girls' dreams are made of. That was a really, really special moment. They marked the beginning of me really building a professional team around me and I feel so lucky. They've been incredible and they are my biggest cheerleaders. It's just been full steam ahead since I've had them on board and I'm excited for everything to come.
I'm sure there's lots of big dates circled on the calendar for next year, but is anything top CMC Rocks?
Oh, CMC Rocks is a huge, huge deal here in Australia. That one was an absolute pinch me. As someone that's been going now for the past four years, it's just that festival where you get to see the best of the best and your favourite artists are on that lineup. When I got the call for that, that was definitely a moment that I was like, wow, wow, wow, wow. That's obviously a big, big one I'm looking forward to for next year, but also Howlin' Country is another festival in Newcastle I will be playing and that lineup is Lainey Wilson, Flatland Calvary, Kaitlin Butts, and there's more to be added. Lainey Wilson and Miranda Lambert happened to be some of my idols in terms of female country artists, so to even see my name put that close to Lainey was like, I had to wipe my eyes a couple of times. I wasn't sure if that was true or false, but so that's probably another one I'm really, really looking forward to for next year.
Is that going to be a case of you head straight to the merch table to buy the tour poster first and frame it?
Correct. I will be there first. I'll be at my sound check as soon as I'm done at the merch table!
Did you kind of get a feelers that these calls might be coming or is it sometimes just total shock and you're like, yes, I'll do it?
Yeah. Some of them, it's in talks or there's a possibility or I have put myself directly forward for it. I think my fingers are just crossed, but there's a few like CMC came right just out of the blue. Howlin' came also right out of the blue. I’ve been able to tick off so much of my bucket list, but to have them both come to you, literally probably about a week and a bit out from each other that the offers came through, I was just like, what is going on?
That's when you know you must be doing something right when you've not got to put the feelers out for these festivals.
Yeah, correct. I feel really, really grateful and I'm excited. I'm just itching to get back and play some of these sets. For the past couple of months, it's been a lot of head down and just songwriting, which I obviously love, but I also love being on stage. The band and I have been in the rehearsal room and getting our show ready for all these festivals and I'm just pumped to get out there and put them on.
I guess by the time these festivals come around, there will be more music in the lead up to this album. Is it going to be tough to start to pick a set list for it, do you think?
Yeah, it already is! I have like a little vault. I've been writing now for a couple of months and I got into a bit of a rabbit hole of trying to figure out what does my album want to look like? Does it have a consistent story? What song do I need first? What song do I need as my last song on the album? As a first album, this project just means everything to me. I want when someone listens to it, to go, yeah, that's Tyla Rodrigues. I got really deep into trying to figure that out and when I was doing that, I actually struggled to be creative - I had the worst writer's block I have ever had. I was like, OK, this is clearly not helping my creative process, so I'm going to just write as much as I can up until the end of November. We're nearly there now, but I've given myself that deadline and I'm just going to write as much as I can, good, bad or otherwise and it's going to go in the vault. Then I'm going to start picking out from there and seeing what I love, seeing what really represents me and what I want on the album. After November, I think that's going to be the hardest, hardest part is then going, OK, which ones do I want? Which ones do I want to put in my live set? I think that that's when it's going to be really crunch time.
With so much going on for you at the moment in Australia and with trips to Nashville, is Europe a market you’re looking in to?
Yeah, I'm hoping to get onto your side of the world soon. I really would love to get over there. I've heard that country music is blowing up as it is everywhere in the world there as well. Hopefully I get to be there at some point. Hopefully when it's not too cold!
Yeah, you might have to wait a few months then. Don't leave your summer to come for our winter. That's not the right idea.
Yeah!
It's good to know that we're on your radar at least. That's always my main thing, because as you said, I do feel like we're at this same point in Australia and the UK with these booms going on.
Yeah. No, absolutely. That's definitely next on my bucket list. So hopefully I can be there soon.
I hope you can tick that one off. And we'll definitely be there for some beers with you as well.
Sounds great.
Thank you so much, Tyla, for your time this morning or even evening!
No, thank you. I appreciate you chatting and I'm looking forward to either doing this again or seeing you on your side of the world.
